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New
Contemporary
50mm F2 DG
Available mounts
- L-Mount(Black)
- L-Mount(Silver)
- Sony E-mount(Black)
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Camera Type
Mirrorless
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Corresponding Mount
L-Mount, Sony E-mount
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Sensor Format
Full-frame [DG]
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Lens Construction
11 elements in 9 groups (1 SLD and 3 aspherical lens elements)
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Angle of View
46.8°
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Number of Diaphragm Blades
9 (rounded diaphragm)
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Minimum Aperture
F22
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Minimum Focusing Distance
45cm / 17.8in.
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Maximum Magnification Ratio
1:6.9
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Filter Size
φ58mm
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Dimensions (Diameter × Length)
L-Mount:φ70.0mm × 68.0mm / φ2.8in. × 2.7in.
Sony E-mount:φ70.0mm × 70.0mm / φ2.8in. × 2.8in.
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Weight
L-Mount:350g / 12.3oz.
Sony E-mount:345g / 12.2oz.
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Edition Number
C023
The three-digit code on the surface of the lens is to indicate the year the lens was first released.
(Since it is different from the year of manufacture, the release year and edition number may not match depending on the mount.) -
Supplied Accessories
・LENS HOOD(LH633-02B/LH633-02S)
・MAGNETIC METAL LENS CAP(LCF58-02 MB/LCF58-02 MS)
・FRONT CAP(LCF-58 IV)
・REAR CAP(LCR III) -
Mount / Product Barcode
L-Mount(Black):00-85126-94200-7
L-Mount(Silver):00-85126-94201-4
Sony E-mount(Black):00-85126-94185-7 -
Camera Compatibility
LINK
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* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
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“Standard lens” that matches the optical performance standards set by the Sigma Contemporary line of lenses.
Sigma I series lenses are developed around the concept of “Compact everyday lenses with outstanding image quality” and the Sigma 50mm F2 DG | Contemporary is exactly that. It features high-quality optics in a compact size, perfect for a wide variety of photographic styles. Built from the ground up for mirrorless cameras, the Sigma 50mm F2 DG | Contemporary is constructed using a single SLD glass element and three aspherical lens elements that are excellent at correcting various types of aberration for clear, high-definition images.
The conflicting ideals of improving optical performance while reducing body size and weight are achieved through the latest optical design, and the processing and production technologies at Sigma’s only production facility in Aizu.
The 50mm focal length is mostly known for portrait photography, so careful consideration was taken when designing the lens, focusing on the smoothness of the bokeh created by the F2 aperture. Its optical design gives smooth transitions from in-focus to out-of-focus areas, and helps minimize flare and ghosting caused by backlit environments. The quiet stepping motor provides quick, reliable autofocusing for both stills and video. -
Expanding the I series lineup.
“Creating pictures that are beyond beautiful”.The Sigma I series features full-frame compatible lenses that offer new value to mirrorless systems. The combination of superb optical performance with a level of compactness that is perfectly suited to smaller and lighter modern mirrorless cameras will bring you new opportunities for a perfect shot. Sigma is aware that in today’s world we have a wide range of camera choices, especially with the increase in mobile phone ownership. But with many photographers looking for something more than something that simply captures images when they choose to own a camera and lens, I series lenses offer the ultimate combination of superb optical performance, outstanding usability and compact form-factor. Sigma’s excellence in development and production technologies has been built up since our founding in 1961 and became increasingly sophisticated with the introduction of the Sigma Global Vision brand in 2012. With this as a base, Sigma has given careful thought to the quality of the products, the feeling of using it and the pleasure of owning it. This is how the I series was born.
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Exceptional I series build quality with a compact form-factor
All I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s CINE LENS lineup for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use.
A smooth hairline cover ring is used between the focus and aperture rings to act as a finger hold when attaching and detaching the lens. -
Magnetic metal lens cap
I series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.
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Magnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)
When a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.
With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.
Lens construction
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SLD glass
Aspherical lens
MTF Chart
The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens’ performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1).
The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is.
*The MTF chart depicts the result at the wide-open aperture.
*For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. (The effect of distortion correction may differ depending on the mount and camera used.)
*The spatial frequency indicates the variation on the image plane before distortion correction is performed.
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Spatial frequency
S:Sagittal Line
M:Meridional Line
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10lp/mm
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30lp/mm
Diffraction MTF
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Geometrical MTF
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Lens construction: 11 elements in 9 groups with 1 SLD and 3 aspherical lens elements
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Inner focus system
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Compatible with high-speed autofocus
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Compatible with lens-based optical correction
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Support DMF and AF+MF
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Compatible with AF assist (Sony E-mount only)
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LENS HOOD (LH633-02B/LH633-02S)
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Magnetic metal lens cap (LCF58-02 MB/LCF58-02 MS)
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Compatible with Sigma USB DOCK UD-11 (sold separately / for L-Mount only)
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Designed to minimize flare and ghosting
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9-blade rounded diaphragm
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High-precision, durable brass bayonet mount
*The sample images shown here were taken using the 50mm F2 DG DN | Contemporary. The optical performance is the same.
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Camera | SONY α7 IV |
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Shutter Speed | 1/500s |
Lens F Number | F2 |
ISO | 200 |
Focal Length | 50mm |
Photographer | Masato Ono |
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Camera | SONY α7 IV |
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Shutter Speed | 1/320s |
Lens F Number | F2 |
ISO | 200 |
Focal Length | 50mm |
Photographer | Masato Ono |
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Camera | SIGMA fp L |
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Shutter Speed | 1/320s |
Lens F Number | F2 |
ISO | 100 |
Focal Length | 50mm |
Photographer | Takashi Shikano |
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Camera | SIGMA fp L |
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Shutter Speed | 1/200s |
Lens F Number | F2 |
ISO | 160 |
Focal Length | 50mm |
Photographer | Takashi Shikano |
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Camera | SIGMA fp L |
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Shutter Speed | 1/1250s |
Lens F Number | F2 |
ISO | 100 |
Focal Length | 50mm |
Photographer | Nick Vrona |
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Camera | SONY α7R V |
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Shutter Speed | 1/250s |
Lens F Number | F5 |
ISO | 160 |
Focal Length | 50mm |
Photographer | Yoko Ono |
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Camera | Panasonic LUMIX DC-S5M2 |
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Shutter Speed | 1/800s |
Lens F Number | F2 |
ISO | 640 |
Focal Length | 50mm |
Photographer | Damien Demolder |
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Camera | SONY α7R V |
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Shutter Speed | 1/800s |
Lens F Number | F5.6 |
ISO | 160 |
Focal Length | 50mm |
Photographer | Yoko Ono |
Compact 50mm. Big Surprise.
Performance beyond expectations condensed into a small body.
50mm F2 joins the “Premium Compact Prime” I series.
The Sigma 50mm F2 DG | Contemporary features high optical performance with a bright F2 aperture, that creates expressive images with a shallow depth of field and beautiful bokeh effects. With its compact size, this popular classic focal length is perfect for portraits, street and everyday photography. The lens has been designed to be used over a long period of time. Using that same technology that Sigma used to create the Sigma CINE lens range, the 50mm F2 DG | Contemporary uses an all-metal construct that is robust and provides a premium feel.
All these elements combine to create an exceptionally versatile lens that can be used in a variety of creative ways to create images in outstanding definition. Perfectly suited to new photographers looking to take the next step, professionals who require reliable lenses and photographers who prefer smaller full-frame lenses that offer the best optical quality.