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New

Contemporary
90mm F2.8 DG

Available mounts

  • L-Mount(Black)
  • L-Mount(Silver)
  • Sony E-mount(Black)
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  • Camera Type

    Mirrorless

  • Corresponding Mount

    L-Mount, Sony E-mount

  • Sensor Format

    Full-frame [DG]

  • Lens Construction

    11 elements in 10 groups (5 SLD and 1 aspherical lens elements)

  • Angle of View

    27.0°

  • Number of Diaphragm Blades

    9(Rounded diaphragm)

  • Minimum Aperture

    F22

  • Minimum Focusing Distance

    50cm / 19.7in.

  • Maximum Magnification Ratio

    1:5

  • Filter Size

    φ55mm

  • Dimensions (Diameter × Length)

    L-Mount:φ64mm × 59.7mm / φ2.5in. × 2.4in.

    Sony E-mount:φ64mm × 61.7mm / φ2.5in. × 2.4in.

    *The length of a lens is measured from the filter surface to its mount.

  • Weight

    L-Mount:295g / 10.4oz.

    Sony E-mount:295g / 10.4oz.

  • Edition Number

    C021

    The three-digit code on the surface of the lens is to indicate the year the lens was first released.
    (Since it is different from the year of manufacture, the release year and edition number may not match depending on the mount.)

  • Supplied Accessories

    ・LENS HOOD(LH576-05B/LH576-05S)
    ・MAGNETIC METAL LENS CAP(LCF55-02 MB/LCF55-02 MS)
    ・FRONT CAP(LCF-55 IV)
    ・REAR CAP(LCR III)

  • Mount / Product Barcode

    L-Mount(Black):00-85126-94204-5
    L-Mount(Silver):00-85126-94205-2
    Sony E-mount(Black):00-85126-94187-1

  • Camera Compatibility

    LINK

  • * L-Mount is a registered trademark of Leica Camera AG.
    * This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
  • I series Premium Compact Primes for mirrorless users

    The Sigma I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.

    One of the key advantages of mirrorless cameras is their smaller form-factor, and this new 90mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.

    Simultaneously, Sigma is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses.
    Sigma’s excellence in development and processing technologies has been built up since it was founded in 1961, and has become further sophisticated with the introduction of the Sigma Global Vision in 2012. With this as a base Sigma has given careful thought to how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered the I series was born.

  • Especially compact even in the I series - wide-angle, standard, and mid-telephoto lenses in the lineup

  • New standards of optical performance for the Contemporary line

    The Sigma 90mm F2.8 DG | Contemporary boasts exceptional optical performance with a ultra-high resolving power to match the latest high-resolution mirrorless cameras.

    The lens is built using the very latest optical technology, and includes five SLD glass elements. This helps to reduce axial chromatic aberration that cannot be corrected in-camera, allowing the lens to achieve high resolution and clear image quality with no color bleeding. A high-precision glass molded aspherical lens provides both high resolution and beautiful bokeh. Photographers can enjoy shooting with soft, large bokeh without coloration and this is something that only a full-frame lens is able to deliver.

    The lens also utilizes the camera’s optical correction functionality, which is an advantage of mirrorless systems, Sigma’s optical designers were therefore able to concentrate on correcting aberrations that can only be corrected by the optical design, thereby improving rendering performance and reducing the size and weight of the lens.

    With a minimum focusing distance of 50cm and a maximum magnification ratio of 1:5, close-up macro-style photography is possible. The lens highlights the subject, allowing photographers to focus in on fine details or create more abstract compositions.

    The AF drive system incorporates a quiet, high-speed stepping motor, making it suitable for still images as well as video recording.

  • Use of high-precision aspherical glass molded lenses

    The surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. Sigma uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.

    Mold for aspherical glass molded lenses

  • Exceptional I series build quality with a compact form-factor

    All I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s CINE LENS lineup for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use.

    The 90mm F2.8 DG | Contemporary shares the same φ64mm maximum diameter and 55mm filter size *1 as the 24mm F3.5 DG | Contemporary and the 45mm F2.8 DG | Contemporary , making them a natural trio, especially for filmmakers who use filters more regularly. With a combined weight of only 740g / 26.1oz. *2 , these three lenses (wide-angle, standard, mid-telephoto) can be used in tandem as part of a high-spec and compact camera system that covers a wide range of shooting situations.

    *1 In addition to the 90mm F2.8 DG | Contemporary, I series lenses with a φ55mm filter thread include the 24mm F3.5 DG | Contemporary, 45mm F2.8 DG | Contemporary, and 17mm F4 DG | Contemporary (as of February 2025).
    *2 The figures are for L-Mount.

  • Magnetic metal lens cap

    The I series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.

  • Magnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)

    When a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.
    With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.

Lens construction

SLD glass

Aspherical lens

MTF Chart

The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens’ performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1).
The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is.

*The MTF chart depicts the result at the wide-open aperture.
*For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. (The effect of distortion correction may differ depending on the mount and camera used.)
*The spatial frequency indicates the variation on the image plane before distortion correction is performed.

  • Spatial frequency

    S:Sagittal Line

    M:Meridional Line

  • 10lp/mm

  • 30lp/mm

Diffraction MTF

Geometrical MTF

*The sample images shown here were taken using the 90mm F2 DG DN | Contemporary. The optical performance is the same.

Camera SONY α9
Shutter Speed 1/400s
Lens F Number F2.8
ISO 100
Focal Length 90mm
Photographer Aya Iwasaki
Camera SONY α9
Shutter Speed 1/640s
Lens F Number F4
ISO 100
Focal Length 90mm
Photographer Aya Iwasaki
Camera SONY α9
Shutter Speed 1/5000s
Lens F Number F2.8
ISO 100
Focal Length 90mm
Photographer Aya Iwasaki
Camera SIGMA fp L
Shutter Speed 1/3200s
Lens F Number F2.8
ISO 200
Focal Length 90mm
Photographer Alexandre Souêtre
Camera SONY α9
Shutter Speed 1/60s
Lens F Number F2.8
ISO 100
Focal Length 90mm
Photographer Kazuyuki Hagiwara
Camera SONY α9
Shutter Speed 1/250s
Lens F Number F2.8
ISO 160
Focal Length 90mm
Photographer Kazuyuki Hagiwara

Capture every inspiring moment.

Introducing Sigma’s all-new, mid-telephoto I series prime for mirrorless systems.
This compact 90mm F2.8 optic is versatile, well-built and offers stunning optical performance, making it perfect for portraits, close-ups, weddings and events.

A brand new 90mm F2.8 DG | Contemporary premium compact prime has been added to Sigma’s growing I series range. It joins four existing I series primes as well as the all-new 24mm F2 DG | Contemporary , offering superb optical performance, a bright F2.8 aperture, an all-metal build and a manual aperture ring. Designed especially for mirrorless systems it feels well-balanced on modern full-frame bodies, and boasts exceptional resolving power that can keep up with the latest ultra-high-resolution cameras.

With its versatile mid-telephoto focal length, the lens is the longest I series lens yet, but remains remarkably compact and light so that it is ideal for day-to-day use. It is fully-optimized for mirrorless systems with ultra-fast and accurate AF performance, and it boasts outstanding optical capabilities. The rich, smooth bokeh makes for attractive backgrounds, which is perfect for portraits, and the minimum focusing distance of 50cm allows photographers to get closer to their subject.

This high-quality, everyday lens is able to bring scenes to life with its beautiful rendering and ultra-sharp optics, all in a portable, robust and tactile lens body.

Impressions

Supplied Accessories

Separately Sold Accessories