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New
Contemporary
35mm F2 DG
Available mounts
- L-Mount(Black)
- L-Mount(Silver)
- Sony E-mount(Black)
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Camera Type
Mirrorless
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Corresponding Mount
L-Mount, Sony E-mount
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Sensor Format
Full-frame [DG]
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Lens Construction
10 elements in 9 groups (1 SLD and 3 aspherical lens elements)
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Angle of View
63.4°
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Number of Diaphragm Blades
9 (Rounded diaphragm)
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Minimum Aperture
F22
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Minimum Focusing Distance
27cm / 10.6in.
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Maximum Magnification Ratio
1:5.7
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Filter Size
φ58mm
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Dimensions (Diameter × Length)
L-Mount:φ70mm × 65.4mm / φ2.8in. × 2.6in.
Sony E-mount:φ70mm × 67.4mm / φ2.8in. × 2.7in.
*The length of a lens is measured from the filter surface to its mount.
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Weight
L-Mount:325g / 11.5oz.
Sony E-mount:325g / 11.5oz.
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Edition Number
C020
The three-digit code on the surface of the lens is to indicate the year the lens was first released.
(Since it is different from the year of manufacture, the release year and edition number may not match depending on the mount.) -
Supplied Accessories
・LENS HOOD(LH636-02B/LH636-02S)
・MAGNETIC METAL LENS CAP(LCF58-02 MB/LCF58-02 MS)
・FRONT CAP(LCF-58 IV)
・REAR CAP(LCR III) -
Mount / Product Barcode
L-Mount(Black):00-85126-94196-3
L-Mount(Silver):00-85126-94197-0
Sony E-mount(Black):00-85126-94183-3 -
Camera Compatibility
LINK
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* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
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I series | A new photographic experience, “Premium Compact Primes”for mirrorless users
The Sigma I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.
One of the key advantages of mirrorless cameras is their smaller form-factor, and this new 35mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.
Simultaneously, Sigma is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses.
Sigma’s excellence in development and processing technologies has been built up since its founding in 1961, and has become further sophisticated with the introduction of the Sigma Global Vision in 2012. With this as a base, Sigma has given careful thought how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered, the I series was born. -
New standards of optical performance for the Contemporary line
The 35mm F2 DG | Contemporary brings to the table the highest level of optical performance at a maximum aperture of F2 with a lens body of a size that matches a mirrorless system.
Axial chromatic aberration, a point of particular concern with a bright lens, is corrected with SLD glass, while an optimal placement of high-refractive index elements provides effective correction of various types of aberration while keeping the amount of glass used to a minimum. The use of three high-precision glass-molded aspherical lenses, which were made possible thanks to advanced production technology at the Aizu factory, Sigma’s only production site. These elements provide correction of spherical aberration and field curvature, and the fluctuation of aberration at the time of focusing. The lens design also provides a very good correction of sagittal coma aberration, making it capable of capturing details fine enough for it to be used for night sky photography.Thanks to cutting edge optical design and advanced processing technology, the 35mm F2 DG | Contemporary offers consistent, high resolving power right across the frame.
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Use of multiple high-precision aspherical glass molded lenses
The surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. Sigma uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.
*Mold for aspherical glass molded lenses
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Exceptional I series build quality with a compact form-factor
All I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability, which improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s cine lens line-up for professional cinematographers and provides an exquisite feel to touch as well as sound effects, making photographers want to reach for it and play with it over and over again.
The cover ring between the focus ring and the aperture ring has hairline processing that is also used for the rear cylinder of the Art line. This 1covering functions as a finger hold when attaching or detaching the lens.
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Magnetic metal lens cap
The I series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.
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Magnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)
When a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.
With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.
Lens construction
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SLD glass
Aspherical lens
MTF Chart
The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens’ performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1).
The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is.
*The MTF chart depicts the result at the wide-open aperture.
*For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. (The effect of distortion correction may differ depending on the mount and camera used.)
*The spatial frequency indicates the variation on the image plane before distortion correction is performed.
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Spatial frequency
S:Sagittal Line
M:Meridional Line
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10lp/mm
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30lp/mm
Diffraction MTF
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Geometrical MTF
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Lens construction: 10 elements in 9 groups, with 1 SLD glass and 3 aspherical lenses
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Compatible with high-speed autofocus
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LENS HOOD(LH636-02B/LH636-02S)
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Magnetic metal lens cap(LCF58-02 MB/LCF58-02 MS)
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Compatible with Sigma USB DOCK UD-11 (sold separately / for L-Mount only)
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Designed to minimize flare and ghosting
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Supports DMF, AF+MF
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Inner focus
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9-blade rounded diaphragm
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High-precision, durable brass bayonet mount
*The sample images shown here were taken using the 35mm F2 DG DN | Contemporary. The optical performance is the same.
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Camera | SONY α7R IV |
---|---|
Shutter Speed | 1/400s |
Lens F Number | F4 |
ISO | 100 |
Focal Length | 35mm |
Focal length
(35mm equivalent) |
35mm |
Photographer | Aya Iwasaki |
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Camera | SONY α7R IV |
---|---|
Shutter Speed | 1/10s |
Lens F Number | F4 |
ISO | 100 |
Focal Length | 35mm |
Focal length
(35mm equivalent) |
35mm |
Photographer | Aya Iwasaki |
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Camera | SONY α7R IV |
---|---|
Shutter Speed | 4s |
Lens F Number | F6.3 |
ISO | 400 |
Focal Length | 35mm |
Focal length
(35mm equivalent) |
35mm |
Photographer | Aya Iwasaki |
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Camera | SONY α7R IV |
---|---|
Shutter Speed | 1/200s |
Lens F Number | F2 |
ISO | 100 |
Focal Length | 35mm |
Focal length
(35mm equivalent) |
35mm |
Photographer | Takashi Shikano |
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Camera | SONY α7R IV |
---|---|
Shutter Speed | 1/160s |
Lens F Number | F2 |
ISO | 320 |
Focal Length | 35mm |
Focal length
(35mm equivalent) |
35mm |
Photographer | Takashi Shikano |
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Camera | SONY α7R IV |
---|---|
Shutter Speed | 1/400s |
Lens F Number | F2 |
ISO | 100 |
Focal Length | 35mm |
Focal length
(35mm equivalent) |
35mm |
Photographer | Kazuyuki Hagiwara |
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Camera | SONY α9 |
---|---|
Shutter Speed | 1/125s |
Lens F Number | F4.5 |
ISO | 100 |
Focal Length | 35mm |
Focal length
(35mm equivalent) |
35mm |
Photographer | Kazuyuki Hagiwara |
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Camera | SONY α9 |
---|---|
Shutter Speed | 1/1000s |
Lens F Number | F2 |
ISO | 100 |
Focal Length | 35mm |
Focal length
(35mm equivalent) |
35mm |
Photographer | Kazuyuki Hagiwara |
A classic reimagined
Professional-level performance in a compact package,
bringing you new creative possibilities.
The Sigma I series introduces compact, beautifully designed, high-performance optics for mirrorless camera systems. In its first collection, Sigma introduces a versatile 35mm prime lens to the Contemporary line-up, which combines excellent resolving power with a small body that is perfectly weighted for mirrorless systems.
The 35mm F2 DG | Contemporary, a classic wide standard prime which photographers would not want to compromise on, comes with a maximum aperture of F2, and offers both compactness and high optical performance. Its modest size and weight make it portable enough to be carried around in a small kitbag for day-to-day shooting, but owing to its outstanding optical quality, wide aperture, and the high quality constructed body which is guaranteed for the I series, it is equally comfortable being used for professional photo such as night sky photography and video works. This all-new wide standard lens is designed for photographers who value the experience of taking a picture just as much as the quality of the results.