





-
Camera Type
Mirrorless
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Corresponding Mount
L-Mount, Sony E-mount
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Sensor Format
Full-frame [DG]
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Lens Construction
17 elements in 12 groups
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Angle of View
23.3°
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Number of Diaphragm Blades
9 (Rounded diaphragm)
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Minimum Aperture
F22
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Minimum Focusing Distance
29.5cm / 11.6in.
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Maximum Magnification Ratio
1:1
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Filter Size
φ62mm
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Dimensions (Diameter × Length)
L-Mount:φ74mm × 133.6mm / φ2.9in. × 5.3in.
Sony E-mount:φ74mm × 135.6mm / φ2.9in. × 5.3in.
*The length of a lens is measured from the filter surface to its mount.
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Weight
L-Mount:715g / 25.2oz.
Sony E-mount:710g / 25.0oz.
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Edition Number
A020
The three-digit code on the surface of the lens is to indicate the year the lens was first released.
(Since it is different from the year of manufacture, the release year and edition number may not match depending on the mount.) -
Supplied Accessories
・Case
・LENS HOOD LH653-01
・FRONT CAP LCF-62mm III
・REAR CAP LCR II -
Mount / Product Barcode
L-Mount:00-85126-26069-9
Sony E-mount:00-85126-26065-1
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Camera Compatibility
LINK
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* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
* Although dust and splash resistant structure allows the lens to be used in light rain, it is not the same as being waterproof.
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Everything required in a mid-telephoto macro lens has been achieved at highest levels
The latest optical design of the 105mm F2.8 DG DN MACRO | Art ensures exceptional sharpness at all shooting distances from extreme close-up, which is crucial in macro shooting, all the way up to infinity. In addition, its aberration correction places a particular focus on longitudinal chromatic aberration which cannot be handled by the in-camera aberration correction. The superior optical design produces clear images with both delicate rendering and free of color bleeding.
Bokeh was one of the focuses in the 105mm F2.8 DG DN MACRO | Art design, which figures largely in mid-telephoto shooting. The ample volume of peripheral light helps create beautiful bokeh circles, while natural bokeh effect in the background, as well as foreground, gives more flexibility to photographic expressions.
Furthermore, when equipped with the TC-1411 (1.4x) or TC-2011 (2.0x), Sigma’s latest models of teleconverters designed exclusively for the use with L-Mount lenses, it allows photographers to shoot macro at even higher macro magnifications while keeping the working distance.
The 105mm F2.8 DG DN MACRO | Art has achieved everything that is required of a mid-telephoto macro lens at the highest levels.
Performance data -
Sigma Art line class optical and AF performance
The Sigma Art line lenses prioritize optical performance above all else in their design. This applies to the 105mm F2.8 DG DN MACRO | Art, which produces outstanding rendering performance from the center of the frame all the way up to the edges. It excellently handles comatic aberration, which often happens at the edges. On the other hand, its abilities to minimize ghosting and flare, which have been validated through rigorous testing from the early stages of its development, ensures that it performs well in backlit conditions.
On top of optimization for the latest functionalities, such as face/eye detection AF, which is something mirrorless camera systems do well, it incorporates a powerful Hyper-Sonic Motor (HSM) in its focus motor system to achieve high-precision, quiet AF operation.
All of these elements are brought to life using advanced production technology at the Aizu Factory, Sigma’s only production site, giving the 105mm F2.8 DG DN MACRO | Art the highest levels of performance worthy of the Sigma Art line.SLD glass
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A full range of functionalities and an excellent build quality
On its body, the 105mm F2.8 DG DN MACRO | Art features a 1 Focus Mode Switch,
2 Focus limiter setting which comes in handy during macro shooting, and the 3 AFL button*1 to which users may assign select functions. The 4 Aperture ring, which is designed to help users work intuitively, has an 5 Aperture ring click switch to turn ON or OFF the clicking sound that isn’t required by some users when shooting macro. It also comes with a 6 Aperture ring lock switch*2 for a ring lock system. Its enhanced functions allow users to customize their shooting operations in accordance with their shooting styles.
The lens also has a 7 dust and splash resistant structure* with a water- and oil-repellent coating, which is built to handle all manner of shooting conditions. The rings and switches, meanwhile, have a build quality that is superb in terms of durability, as well as how they work and how they feel.
With levels of user-friendliness, adaptability to the environment, and smoothness of operation that are designed for professional uses, the 105mm F2.8 DG DN MACRO | Art pushes the boundaries for photographers and gives them wider creative possibilities.*1 Limited to compatible cameras. Also, the functions depend on the camera.
*2 When turned ON at the position A, the iris ring is locked at A. When turned ON at a position other than A, it is locked within the range between the maximum to minimum apertures and will not engage at the position A.
*Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.
Lens construction

SLD glass
MTF Chart
The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens’ performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1).
The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is.
*The MTF chart depicts the result at the wide-open aperture.
*For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. (The effect of distortion correction may differ depending on the mount and camera used.)
*The spatial frequency indicates the variation on the image plane before distortion correction is performed.
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Spatial frequency
S:Sagittal Line
M:Meridional Line
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10lp/mm
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30lp/mm
Diffraction MTF

Geometrical MTF

Diffraction MTF (+TC-1411)

Geometrical MTF (+TC-1411)

Diffraction MTF (+TC-2011)

Geometrical MTF (+TC-2011)

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Lens construction: 17 elements in 12 groups, with 1 SLD lens
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Compatible with high-speed autofocus
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Compatible with lens-based optical correction
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Focus limiter switch
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Compatible with Sigma TELECONVERTER TC-1411, TC-2011
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Compatible with Sigma USB DOCK UD-11
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Designed to minimize flare and ghosting
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The HSM (Hyper Sonic Motor)
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Support DMF, AF+MF
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9-blade rounded diaphragm
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High-precision, durable brass bayonet mount
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Compatible with Sigma USB DOCK UD-11 (sold separately / for L-Mount only)
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Lens Hood(LH653-01)

Camera | SIGMA fp |
---|---|
Shutter Speed | 1/4000s |
Lens F Number | F2.8 |
ISO | 100 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Noriko Yamaguchi |

Camera | SIGMA fp |
---|---|
Shutter Speed | 1/1250s |
Lens F Number | F2.8 |
ISO | 400 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Noriko Yamaguchi |

Camera | SIGMA fp |
---|---|
Shutter Speed | 1/250s |
Lens F Number | F4 |
ISO | 400 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Noriko Yamaguchi |

Camera | SONY α7R IV |
---|---|
Shutter Speed | 1/100s |
Lens F Number | F2.8 |
ISO | 400 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Ori Saito |

Camera | SIGMA fp |
---|---|
Shutter Speed | 1/60s |
Lens F Number | F2.8 |
ISO | 200 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Nana Misaki |

Camera | SONY α7R IV |
---|---|
Shutter Speed | 1/1000s |
Lens F Number | F2.8 |
ISO | 400 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
157mm |
Photographer | Aya Iwasaki |

Camera | SONY α9 |
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Shutter Speed | 1/800s |
Lens F Number | F2.8 |
ISO | 250 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
157mm |
Photographer | Aya Iwasaki |

Camera | SONY α7R IV |
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Shutter Speed | 1/8s |
Lens F Number | F2.8 |
ISO | 100 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Aya Iwasaki |

Camera | SIGMA fp |
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Shutter Speed | 1/80s |
Lens F Number | F11 |
ISO | 400 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Yukio Uchida |

Camera | SIGMA fp L |
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Shutter Speed | 1/640s |
Lens F Number | F5.8 |
ISO | 400 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Aya Iwasaki |
Color Mode | Duotone |

Camera | SONY α7R IV |
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Shutter Speed | 1/60s |
Lens F Number | F4.5 |
ISO | 125 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Ori Saito |

Camera | SONY α7R IV |
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Shutter Speed | 1/40s |
Lens F Number | F5.6 |
ISO | 125 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Ori Saito |

Camera | SIGMA fp |
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Shutter Speed | 1/30s |
Lens F Number | F2.8 |
ISO | 200 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Nana Misaki |

Camera | SIGMA fp |
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Shutter Speed | 1/25s |
Lens F Number | F3.2 |
ISO | 400 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Yukio Uchida |

Camera | SIGMA fp |
---|---|
Shutter Speed | 1/25s |
Lens F Number | F16 |
ISO | 400 |
Focal Length | 105mm |
Focal length
(35mm equivalent) |
105mm |
Photographer | Yukio Uchida |
Make everyday details
more magnificent.
Performance exceeds expectations
Sigma Art line introduces a supreme edition
to classic macro lenses
Mid-telephoto macro lenses give photographers a boost to creativity and a versatile working distance, which makes the lenses a favorite among professionals as part of their basic gear. Introduced as the first macro lens for mirrorless cameras in the Art line of lenses for mirrorless cameras, the 105mm F2.8 DG DN MACRO | Art packs the highest level of performance expected of a mid-telephoto macro lens into its body, from its superb optical performance to excellent build quality.
Beyond being a high-spec macro lens that excels in a wide range of settings, the Sigma 105mm F2.8 DG DN MACRO | Art is ideal for macro shooting or portraits. It can also give photographers an opportunity to rediscover a new way of looking at or enjoying things such as unexpected beauty or something precious in everyday life through its perspective that is unique to a macro lens. It provides performance that goes far beyond the expectation or imagination of what a “classic mid-telephoto macro lens” can be.