The Queen of Wide Frames

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art Impression

Impression

Michał Kałużny

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F1.4, 3.2s

The night sky has fascinated me since childhood. Countless nights spent gazing into its depths brought forth ideas for exploring the cosmos—starting with a small binocular, then a telescope, and eventually photography. Capturing distant nebulae, galaxies, and stars fulfilled my initial dreams, allowing me to peer into the depths of the galaxy. The light from many photographed objects traverses cosmic space, sometimes for hundreds of thousands of years, and today we can capture it in photos. This is the cosmos! Astrophotography, for me, is a journey through time and space. Each night sky photo is unique and one of a kind. Every night is slightly different, and I strive to find new locations to showcase the sky in diverse and interesting ways.

In my experience, one of the most enjoyable ways to photograph the night sky is using wide-angle optics. A bright lens, combined with a suitably dark and visually appealing location, guarantees great fun. Time spent under the night sky is an engaging adventure, culminating in a photograph.

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F1.4, 10s

When the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art lens reached me, I thought it was a great opportunity to visit Iceland, where extraordinary displays of the Northern Lights are often visible in the sky. This beautiful and dynamic phenomenon is challenging to photograph because it covers practically the entire sky. Simultaneously, the Northern Lights change shape, color, and intensity rapidly. To capture the character of this beautiful phenomenon, short exposure times are needed, and here, a bright lens and the ability to use high ISO come in handy.

I chose Iceland not only for the Northern Lights but also because, beyond the auroras, it offers incredible inspiration for any photographer. Combining the celestial spectacle with Iceland's unique landscape ensures endless possibilities for capturing exceptional shots.

The decision was made, packed in my backpack were the SIGMA fp and the world's first diagonal fisheye lens with an aperture of F1.4. We were ready for the journey.
*As an interchangeable lens for full-frame cameras for consumer use. (As of February 2024 by SIGMA)

The lens has several features that are very helpful for night photography. My favorite, similar to the SIGMA 14mm F1.4 DG DN | Art, is the rotating tripod mount. It allows quick leveling of the landscape and easy switching from horizontal to vertical framing. This is crucial because, when working with tracking, I don't have to disassemble the entire setup; just loosen the retaining screw, rotate, and it's ready. Simple but very useful. Additionally, the tripod foot is in the popular Arca-Swiss standard, making lens mounting on tripods and tracking systems even easier. I used the lens with a compact SIGMA fp body, and the combination was well-balanced, allowing for precise framing.

* The images without photograph data have been created with lenses other than 
SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F1.4, 3.2s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F1.4, 15s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F1.4, 13s

Another practical feature of the lens is the ability to lock the manual focus setting. In night photography, when exploring different frames, we often have to move the camera with the tripod, making it easy to accidentally blur the image—especially in winter Icelandic conditions where using gloves is essential. The focus lock is clever enough that even turning the camera on and off does not affect the set focus. Once set, it remains unchanged until consciously adjusted. I frequently used this option. Additionally, the large, ribbed focus ring, even when working with thick gloves, allows for precise manual focusing. As befitting a lens for an astrophotographer, the housing includes profiles for attaching optional lens heaters, very useful in extremely challenging conditions. In the lens's rear, there is a pocket for gel filters, giving us the option to use softening, light pollution-reducing, or ND filters for daytime photography. The cover-type front cap with locking mechanism has a unique design that includes pockets for storing two filters in special compartments. This ensures they cannot be forgotten and are always at hand. Like all lens in the Art series, the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art is built without compromises, giving a very solid impression. You can feel the attention to craftsmanship and optical quality, while still considering practicality.

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 1600, F2.8, 1/2000s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 1600, F1.6, 1/1600s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 1600, F1.4, 1/125s

Iceland in winter can be a demanding place. During my week-long stay, I had only two clear astro nights. The forecasts were merciless; if you want a clear sky, you have to reach the eastern end of the island after landing in Reykjavik. I was actually happy because I'd go through the entire breadth of Iceland in winter—an adventure. At the same time, I would reach a place I hadn't been to in a long time and seemed perfect for this type of optics: the monumental rock arches of the Arctic Henge.

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F1.4, 2s

The forecasts didn't disappoint, and in this part of Iceland, we got another clear night. In the incredible location at the foot of the Vestrahorn mountain, one of the most beautiful places in Iceland, I could observe and photograph a delicate but colorful celestial aurora ballet. You must go there sometime; I highly recommend this spectacle.

The slow journey along snowy roads and the very short night gave me the opportunity to test the lens for daytime photos, albeit in challenging atmospheric and lighting conditions. Nevertheless, the fun knew no bounds.

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F9, 1/160s

I confirmed the image quality of the SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art after just a few initial photos. In combination with the SIGMA fp, even at F1.4 aperture, stars throughout the frame are pinpoint, with no light splitting. It may seem surprising with such a wide field of view, but I used the lens throughout the entire trip without any concerns. There's a saying in the industry that if a lens performs well in astrophotography, it will perform well everywhere. The point is that in astrophotography, the smallest optical imperfections immediately become apparent. Combined with the SIGMA fp camera, this setup seems perfect. The rendering of star colors, transitions of colorful auroras, and the ability to work at high ISO make the SIGMA fp my choice for shooting auroras for the past two years. This time, I wasn't disappointed either; the right settings, along with the Northern Lights, allowed me to delicately capture the winter Milky Way.

Northern Lights can change from second to second, and successive shots of the same frame can have a completely different character. Taking several photos and selecting the right one is a good way to capture a unique shot from a given location. Remember that the curved perspective of the fisheye lens can create an interesting visual effect, encouraging the creation of scenes impossible to capture with other lenses.

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 200, F4, 1/2000s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F2, 10s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F1.4, 5s

The much greater depth of field is also fantastic for me, allowing me not to close the aperture and objects from 2-3m to infinity remain sharp. In the case of daytime photos, when we have more light and can close the aperture more, the depth of field expands even further. Additionally, we have a fast HLA-driven autofocus, so it works in any situation.

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F2, 1/800s

The lens will be an excellent solution for those looking for unconventional frames or an interesting perspective. With such a wide field of view, it has no problems delivering sharp and contrasty rendering of stars and details in the landscape. In addition, its high brightness makes it an extraordinary tool for night and landscape photography. See you under the starry sky!

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 200, F16, 1/125s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 200, F2.8, 1/1600s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 1600, F2, 1/500s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 800, F2, 1/800s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F2, 1/1600s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F5.6, 1/500s

SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE | Art, SIGMA fp, ISO 2500, F2, 1/250s

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Michał Kałużny

Michał Kałużny

Astro Photographer

Born in 1974. Studied at the Academy of Fine Arts in Poznań, specializing in photography. Conducted numerous classes, workshops, and lectures on photography and astrophotography.

Since 2005, involved in popularizing astronomy and astrophotography. Collaborates with numerous astronomical magazines, conducts astrophotography courses, and organizes photo expeditions to various parts of the world in search of dark places with minimal artificial light pollution.

Specializes in night sky photography, capturing both deep-sky objects and astro landscapes.