The lens frees my mind for the greater surroundings
Damien Largeron
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SIGMA 16-28mm F2.8 DG DN | Contemporary, SIGMA fp L, ISO 100, F7.1, 1/800s
Being an outdoor sports photographer (mountaineering, skiing, climbing) my requirements regarding my gear are strong and I can't accept any compromise. The cameras and lenses I climb with have to be lightweight, easy to handle, balanced and ready for the toughest conditions without any compromise on the image quality.
The first thing I look for when I use a combo is the ergonomics. It's essential. For obvious reasons, I don't have the luxury of thinking when I am on the field and my gear has to perform as a true extension of my hand. Everything has to sit under my fingers.
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* The images without photograph data have been created with other lenses other than SIGMA 16-28mm F2.8 DG DN | Contemporary.
What I like about the fp L is its lightness, its balance and its modularity according to my needs on commissioned works, and the new 16-28mm F2.8 DG DN | Contemporary is a perfect fit to go with the fp L for my work.
With the 16-28mm F2.8 DG DN | Contemporary, I have a companion ready for any adventure. This combo is super compact, light and balanced, and once I put it around my neck I hardly feel it anymore. And that's a huge advantage when you're rope climbing.
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The zoom ring is super smooth and firm, allowing to efficiently set the wanted focal length without second thought. Autofocus is blazing fast and its ability to use face/eye detection is a huge convenience when I'm up in the air.
Manual focus is also made super easy when I need it thanks to the firm focus ring. If there are three keywords for this lens, I would say―Fast, efficient, and secure.
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SIGMA 16-28mm F2.8 DG DN | Contemporary,
cSIGMA fp L, ISO 100, F16, 1/200s
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SIGMA 16-28mm F2.8 DG DN | Contemporary,
SIGMA fp L, ISO 100, F7.1, 1/200s
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SIGMA 16-28mm F2.8 DG DN | Contemporary, SIGMA fp L, ISO 100, F7.1, 1/800s
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SIGMA 16-28mm F2.8 DG DN | Contemporary, SIGMA fp L, ISO 100, F4.5, 1/1000s
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SIGMA 16-28mm F2.8 DG DN | Contemporary,
SIGMA fp L, ISO 100, F7.1, 1/800s
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SIGMA 16-28mm F2.8 DG DN | Contemporary,
SIGMA fp L, ISO 100, F7.1, 1/1000s
Whether in low light during a bivouac at the end of an exhausting day or in front of full sunlight, the lens never let me down. It is a perfect companion you can always count on.
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SIGMA 16-28mm F2.8 DG DN | Contemporary,
SIGMA fp L, ISO 200, F5, 1/500s
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SIGMA 16-28mm F2.8 DG DN | Contemporary,
SIGMA fp L, ISO 200, F5.6, 1/500s
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SIGMA 16-28mm F2.8 DG DN | Contemporary,
SIGMA fp L, ISO 640, F5, 1/640s
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SIGMA 16-28mm F2.8 DG DN | Contemporary,
SIGMA fp L, ISO 100, F2.8, 1/160s
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SIGMA 16-28mm F2.8 DG DN | Contemporary, SIGMA fp L, ISO 640, F2.8, 1/200s
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SIGMA 16-28mm F2.8 DG DN | Contemporary, SIGMA fp L, ISO 2000, F2.8, 1/80s
In my case, I bring the 16-28mm F2.8 DG DN | Contemporary and 28-70mm F2.8 DG DN | Contemporary with me. This combo from the Contemporary line allows me to make all my images, with the same quality I'm used to from the Art line I know very well.
A big THANK YOU to SIGMA for this wonderful experience for my rope climbing photographs and now I finally can climb light with dreamy combos that deliver highly anticipated lightweightness and compactness. And don't forget the outstanding image qualities beyond expectations!
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Special Thanks
Louna and Tristan Ladevant
Tristan
Arthur Ternant