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fp L

  • L-Mount
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  • Type

    Interchangeable-lens Mirrorless Type Digital Camera

  • Memory Media

    SD, SDHC, SDXC memory card (UHS-Ⅱ supported) , Portable SSD (USB 3.0 connection, USB bus power supported)

  • Lens Mount

    L-Mount

  • Image Sensor Type

    35 mm full-frame (36.0 mm x 24.0 mm) Back-illuminated Bayer CMOS sensor

  • Camera Effective Pixels / Total Pixels

    Approx. 61 MP / Approx. 62.4 MP

  • Aspect Ratio

    3:2

  • Color Filter System

    RGB Primary color filter

  • Still Image File Format

    Lossless compression RAW(DNG) data 12 bit,14 bit / JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible

  • Image Aspect Ratio

    [21:9] , [16:9] , [3:2] , [A Size (√2:1) ] , [4:3] , [7:6] , [1:1]

  • RAW (File Size)

    9.5K：9,520 x 6,328　6.2K：6,240 x 4,144　4.8K：4,768 x 3,168　UHD：3,840 x 2,552　FHD：1,920 x 1,280

  • JPEG (File Size)

    [21:9]
    9.5K：9,520 x 4,080　6.2K：6,240 x 2,672　4.8K：4,768 x 2,040　UHD：3,840 x 1,648　FHD：1,920 x 824

    [16:9]
    9.5K：9,520 x 5,352　6.2K：6,240 x 3,512　4.8K：4,768 x 2,680　UHD：3,840 x 2,160　FHD：1,920 x 1,080

    [3:2]
    9.5K：9,520 x 6,328　6.2K：6,240 x 4,144　4.8K：4,768 x 3,168　UHD：3,840 x 2,552　FHD：1,920 x 1,280

    [A Size (√2:1) ]
    9.5K：8,944 x 6,328　6.2K：5,856 x 4,144　4.8K：4,480 x 3,168　UHD：3,616 x 2,552　FHD：1,808 x 1,280

    [4:3]
    9.5K：8,432 x 6,328　6.2K：5,520 x 4,144　4.8K：4,224 x 3,168　UHD：3,408 x 2,552　FHD：1,696 x 1,280

    [7:6]
    9.5K：7,856 x 6,328　6.2K：5,152 x 4,144　4.8K：3,920 x 3,168　UHD：3,168 x 2,552　FHD：1,584 x 1,280

    [1:1]
    9.5K：6,328 x 6,328　6.2K：4,144 x 4,144　4.8K：3,168 x 3,168　UHD：2,552 x 2,552　FHD：1,280 x 1,280

    * When a DC lens is attached, it can be used with a recording pixel count of 6.2K or less.

  • Crop

    Equivalent to approx.1.5 to 5 times the focal length of the lens (for 35 mm cameras)

  • Color Space

    sRGB, Adobe RGB

  • Camera Internal Record

    Movie Format
    CinemaDNG（8 bit, 10 bit, 12 bit）/ MOV：H.264 （ALL-I, GOP）

    Audio Format
    Linear PCM (2 ch 48 kHz / 16 bit)

    Record Format / Frame rate
    3,840 x 2,160 (UHD 4K) / 23.98 p, 24 p, 25 p, 29.97 p
    1,920 x 1,080 (FHD) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p*, 119.88 p*
    * Automatic crop zoom setting is x1.67

    Continuous Shooting Enable Time
    Up to 2 hours

    Cinema DNG Memory Media Limitation
    SD Card (UHS-II) : UHD 8 bit 25 p or less, FHD 12 bit 59.94 p or less
    Portable SSD : UHD 12 bit 29.97 p or less, FHD 12 bit 100 p or less, FHD 8 bit 119.88 p or less

  • HDMI External Output

    Movie Format
    4:2:2 8 bit
    12 bit RAW :External recorder record : ATOMOS Ninja V, ATOMOS Ninja V+, ATOMOS Shogun CONNECT, Blackmagic Video Assist 12G supported

    Audio Format
    Linear PCM (2 ch 48 kHz/16 bit)

    Record Format / Frame Rate
    4,096 x 2,160 (DCI 4K) / 24 p　* Only for RAW output
    3,840 x 2,160 (UHD 4K) / 23.98 p, 24 p, 25 p, 29.97 p
    1,920 x 1,080 (FHD) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p*, 119.88 p*
    * Automatic crop zoom setting is x1.67

  • AF System / Focus Mode

    Image plane phase-difference AF + Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus

  • AF Sensitivity Range / AF Mode

    -5 to 18 EV (F1.4:ISO 100) / Auto, 49-point selection mode, Free Move mode, Face/Eye Detection AF mode, Tracking AF mode

  • AF Lock

    Half-press the shutter button, or press the AEL button (setting change required)

  • Other Focus Functions

    AF+MF, MF Magnification (Full Screen, PIP), MF Display, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification, Focus Ring Control (Non-linear, Linear)

  • Metering System

    Evaluative, Spot, Center Weighted Average

  • Metering Range

    -5 to 18 EV (50 mm F1.4:ISO 100)

  • Still Image Shooting Mode

    (P) Program AE (Program Shift capable), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual

  • Movie Shooting Mode

    (P) Program AE, (S) Shutter Angle/Speed Priority AE, (A) Aperture Priority AE, (M) Manual

  • ISO Sensitivity (Recommended exposure value)

    Base ISO
    [Still]
    ISO 100,400
    [Cine]
    CinemaDNG 12 bit / HDMI RAW:ISO 100, 1250
    MOV / CinemaDNG 10 bit, 8 bit, HDMI 4:2:2 8 bit:ISO 100, 250

    Settable Range
    ISO 100-25600 / Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400

  • Exposure Compensation

    ±5 EV (in 1/3 stop increments) : ±3 EV at movie recording

  • AE Lock

    Half-press the shutter button, or press the AEL button (setting change required)

  • Exposure Bracket

    3 shots / 5 shots stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)

  • Exposure Tool

    Brightness Level Monitor (Waveform, Histogram ), Zebra Pattern, False Color (False Color, EL ZONE)

  • Image Stabilization System

    Image Stabilization System(EIS)

  • White Balance

    12 types
    ( Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature[50K steps], Custom 1, Custom 2, Custom 3 )

  • Shutter Type

    Electronic shutter

  • Shutter Speed

    30 to 1/8,000 sec., Bulb up to 300 sec.

  • Self Timer

    2 sec., 10 sec. (Countdown Indicator)

  • Drive Modes

    Single Capture, Continuous, Self Timer, Interval Timer

  • Continuous Drive Speed

    High Speed:approx. 10 shots/ sec., Medium Speed:approx. 5 shots/ sec., Low Speed:approx. 3 shots/ sec.

  • Number of Recordable Frames

    DNG+J (14 bit) / 9.5K:12 frames, 6.2K:12 frames, 4.8K or less:12 frames
    DNG+J (12 bit) , DNG (14 bit/12 bit) / 9.5K:12 frames, 6.2K:28 frames, 4.8K or less:50 frames
    JPEG / 9.5K:14 frames, 6.2K:35 frames, 4.8K or less:57 frames

  • Monitor Type / Coverage

    TFT color LCD, Aspect Ratio 3:2, 3.15 type, Approx. 2.1M dots , Electrostatic capacitance system touch panel / Approx. 100%

  • Built-in Flash

    -

  • Flash Mode

    S-TTL Auto Exposure, Manual Flash, Wireless Flash, Multi Flash

  • Optional Functions

    Red-eye Reduction, Slow Synchronization, Rear Curtain Synchronization

  • Flash Exposure Compensation

    Max. ±3 EV in 1/3EV step increments

  • Flash Sync. Speed

    Max. 1/15 sec.

    * 1/10 sec. or less at 14 bit RAW

  • External Flash Support

    Available when the HOT SHOE UNIT HU-11 (supplied with this product) is mounted. * S-TTL, Wireless support, X-sync.

  • Color Mode

    16 types
    (Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Warm Gold, Teal and Orange, Sunset Red, Forest Green, Powder Blue, FOV Classic Blue, FOV Classic Yellow, Duotone, Monochrome, Off )

  • Supported Cloud Connection models

    ATOMOS Ninja V+*, ATOMOS Shogun CONNECT

    *Available when the ATOMOS CONNECT is mounted.

  • Director’s Viewfinder Supported cameras

    ARRI
    ARRICAM / ARRIFLEX, ALEXA LF/ ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA65, ALEXA XT

    SONY
    VENICE

    RED
    MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, KOMODO 6K

  • Director’s Viewfinder Frame Guide

    1.33:1, 1.85:1, 2.39:1, Custom 1, Custom 2

  • Director’s Viewfinder Custom Frame

    Input (Sensor Area, Aspect Ratio) , Offset, Style (4 styles) , Line (1 to 10 px) , Color (White, Black, Red, Yellow, Green, Cyan, Blue, Magenta) , Shading

  • Other Functions

    Save / Load Settings via QR code, Screenshot, Webcam, In-camera RAW development, Still image capture from recorded movie files, Cinemagraph, Fill Light, HDR shooting (Still, Cine) , Still image shooting during movie shooting

  • Built-in Microphone / Speaker

    Stereo Microphone, Monaural Speaker

  • Display Language

    English, Japanese, German, French, Spanish, Italian, Simplified Chinese, Traditional Chinese, Korean, Russian, Dutch, Polish, Portuguese, Danish, Swedish, Norwegian, Finnish

  • USB Terminal

    USB3.1 GEN1 Type-C (supports Mass Stroage, Video Class(UVC), Camera Control)

  • HDMI Terminal

    Type D（Ver.1.4）

  • Remote

    Also used as an external microphone terminal

  • Timecode Input

    Also used as an external microphone terminal

  • External Microphone Terminal

    Φ3.5 mm stereo mini jack (Plug-in power support)

  • Headphone Output Terminal

    Φ3.5 mm stereo mini jack (can be connected when using the dedicated ELECTRONIC VIEWFINDER EVF-11)

  • Flash-synchro Terminal

    Dedicated terminal (with HOT SHOE UNIT HU-11 (supplied with this product) mounted)

  • Dust and Splash Resistant Structure*

    Provided

    *Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.

  • Power

    Li-ion Battery Pack BP-51

    * Internal battery charge via USB terminal available.
    * USB power supply available.

  • Number of Recordable Still Images

    Approx. 240 images

  • Minutes of Recordable Continuous Shooting

    Approx. 60 min.

  • Dimensions (W x H x D)

    112.6 x 69.9 x 45.3 mm / 4.4 x 2.8 x 1.8 in.

  • Weight

    427 g / 15.1 oz.(including battery and SD card), 375 g / 13.2 oz. (Camera body only)

  • Operating Temperature

    32 – 104 °F / 0 – +40 °C

  • Operating Humidity

    85 % or less (non-condensing)

  • Supplied Accessories

    Li-ion Battery Pack BP-51
    Strap
    STRAP HOLDER SH-11
    USB AC ADAPTER UAC-21
    USB CABLE (C-C) SUC-41
    HOT SHOE UNIT HU-11
    Body Cap
    Instruction Manual
    Limited Warranty
    Warranty Sticker

  • Optional Accessories

    HAND GRIP HG-11
    LARGE HAND GRIP HG-21
    LCD VIEWFINDER LVF-11
    ELECTRONIC VIEWFINDER EVF-11
    BASE PLATE BPL-11
    CABLE RELEASE CR-41
    BASE GRIP BG-11
    DC CONNECTOR CN-21
    BATTERY CHARGER BC-71
    AC ADAPTER SAC-7P
    STRAP HOLDER SH-11 (2pcs)

  • Product Barcode

    fp L Body : 00-85126-93903-8
    fp L + ELECTRONIC VIEWFINDER EVF-11 : 00-85126-93907-6

  • 61 megapixels. The highest resolution presented by Sigma.

    Leveraging our knowhow of image processing technology on Foveon sensors.
    Thanks to the ultra-high resolution, Sigma fp L is able to unleash your imagination and feature a low-pass filter to make a further contribution to the optical performance.

    The Sigma fp L features a Bayer sensor with approximately 61 effective megapixels, higher than any other Sigma camera before it. In addition to images with fine details, the fp L is capable of creating images that are high-definition and rich in color, thanks to its ultra-high pixel count and Sigma’s experience in developing cameras with a Foveon sensor, are renowned for both the exceptional resolving power and nuanced color gradients due to the unique nature of the X3 sensor. Furthermore, for its image quality that are in principle free of color artifacts, the Foveon sensor legacy was also behind the decision that the fp L should have a low-pass filter to reduce moiré to minimum levels. The use of a low-pass filter was a choice that made sense for a camera with an ample megapixels such as the Sigma fp L.

  • Higher resolution. Greater freedom.
    Every shot is your dream shot.

    Crop Zoom

    A high pixel count means that images can stand extreme zooming or cropping. This was one aspect of an ultra-high pixel camera that led Sigma to give the fp L a cropped zoom feature that works in both the STILL and CINE modes. Thanks to its ample (approximately 61 effective) megapixels, the fp L can record in full HD quality even at its maximum 5x zoom; because this is accomplished simply by cropping with no digital enhancement, the image quality will not suffer. To use it in a more intuitive way, you can pinch to zoom on the LCD touch screen.

  • Never miss your moment.

    Hybrid Autofocus
    Contrast detection autofocus + Phase detection autofocus

    In addition to high-precision contrast AF, the Sigma fp L features fast image area phase-detection AF. This hybrid AF allows users to enjoy smooth autofocus that is high-precision, fast, and excellent at tracking a moving subject, whether they are shooting stills or video.

  • Unlimited power supply.

    Long hours of worry-free USB-C cable power supply

    The Sigma fp L supports USB charging while the camera is on. You can shoot without interruption while charging the camera using a mobile battery, even outdoors or where you have no access to a power outlet. When using it as a webcam, just connect the fp L to a PC via USB and it works as an audio and video input device while getting its power supply from the PC. This means that you can use it for long hours without having to worry about the battery dying on you.

  • Carry all the amazing things in your pocket.

    The world’s smallest and lightest full-frame mirrorless camera.*

    With overall dimension of 112.6 x 69.9 x 45.3mm and body weight of 370g and 375g for the fp and the fp L, respectively, the Sigma fp family is the world’s smallest and lightest* full-frame mirrorless cameras. They are small enough to take for casual use, so you can enjoy the full-frame image quality for your everyday snaps.

    *As of March 2021, by Sigma

  • Abundant of choices for every occasion.

    L-Mount lenses.

    The Sigma fp series uses the L-Mount*, characterized by a short flange focal length, large diameter, and superior durability. For interchangeable lenses, in addition to the wide-ranging choice of Sigma lenses, other manufacturers’ lenses can also be an option through the L-Mount Alliance with Leica Camera AG and Panasonic Corporation. With the Sigma MOUNT CONVERTER MC-21, Sigma SA mount and Sigma’s CANON EF mount lenses can be used, making the best out of one’s lens investment.

    *The L-Mount Trademark is a registered Trademark of Leica Camera AG.

    Camera Compatibility

  • Make your communication more engaging than ever.

    Transforming a Sigma fp to a webcam with just a USB cable.

    By simply connecting it to a PC via USB, a Sigma fp camera can be used as a webcam. It will bring a stunning, full-frame image quality to live streaming and online communication including video conferencing.

  • Film like a pro.

    Supporting 12bit CinemaDNG recording
    Supporting Blackmagic RAW and ProRes RAW HDMI outputs as standard
    Professional video interface

    For raw video data, the Sigma fp series supports 12-bit CinemaDNG external recording. With 4K UHD/24fps recording, it produces video data that can be used even in filmmaking. It also supports Blackmagic RAW and ProRes RAW over HDMI recording, so you can choose one according to your workflow.
    For the operation system, the Sigma fp series features a dedicated interface that supports commonly used cinema cameras, which means it can be taken straight to video production settings.

  • Your tough companion. Wherever you go.

    Dust and Splash Resistant Structure* / Large Heat Sink

    A body covered with die-cast aluminum on the front and the back ensures superior robustness and heat dissipation while keeping the body weight light.
    The Sigma fp series is protected with the dust and splash resistant sealing on a total of 42 points over the camera body. Combined with a large-size magnesium heat sink that prevents overheating, the Sigma fp series is a reliable choice for shooting in a wide range of conditions as well as long hours of use.
    Sigma fp | Large Heat Sink (Multi-languages)

    *Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.

  • See outside the frames.

    Diverse aspect ratios

    In STILL mode, you have seven aspect ratios to choose from. You can either choose one that suits your mood and preference, or try out one that you don’t normally use to discover a new framing and style. The Sigma fp series’ diverse aspect ratio will bring you possibilities to experience something that may change the way you see things.

    7 types of aspect ratios

  • Find your own expression

    Cinemagraph / Fill Light / Color mode

    In addition to a total of 15 color modes to choose from, the Sigma fp series features a number of functionalities such as Cinemagraph, which is animated GIF that is a hybrid between photography and video, and Fill Light, which is Sigma’s special light control function. These features specially created for the Sigma fp series will help you find your own style.

  • A camera that whispers. For enjoying precious moments.

    Full-time electronic shutter

    Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The Sigma fp series is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting in a sound-sensitive situation; shooting without ruining the ambience of the scene; and shooting with good response without missing the perfect shot. These types of shooting will open new horizons in video creation. Furthermore, the absence of a mechanical shutter makes the Sigma fp’s camera structure simpler, which in turn improves its reliability as a camera.

  • Sigma fp L Features Introduction

Camera SIGMA fp L
Lens 105mm F2.8 DG DN MACRO | Art
Shutter Speed 1/640s
Lens F Number F5.8
ISO 400
Focal Length 105mm
Focal length
(35mm equivalent) 		105mm
Photographer Aya Iwasaki
Color Mode Duotone
Download
Camera SIGMA fp L
Lens 65mm F2 DG DN | Contemporary
Shutter Speed 1/500s
Lens F Number F4
ISO 100
Focal Length 65mm
Focal length
(35mm equivalent) 		65mm
Photographer Aya Iwasaki
Color Mode Teal and Orange
Download
Camera SIGMA fp L
Lens 65mm F2 DG DN | Contemporary
Shutter Speed 1/1600s
Lens F Number F4
ISO 100
Focal Length 65mm
Focal length
(35mm equivalent) 		65mm
Photographer Yang Su Tie
Color Mode Landscape
Download
Camera SIGMA fp L
Lens 14-24mm F2.8 DG DN | Art
Shutter Speed 15s
Lens F Number F16
ISO 100
Focal Length 16mm
Focal length
(35mm equivalent) 		16mm
Photographer Yang Su Tie
Color Mode Landscape
Download

Deconstruction of digital camera.

-the starting point and journey of SIGMA fp

SIGMA has been questioning the genuine value of a digital camera
and how can we break down manufacturer’s ideas of camera-centric hierarchies and categories.

Deconstruction is our answer after rethinking what is essential to the users. We believe a camera should be more than a tool for fulfilling rational needs of photography making, but enriching life as your inspiration.
Therefore, “how can SIGMA be the one to make this happen?”

As the answer to this question, SIGMA set itself to develop a user-oriented digital camera that reflected the idea of “how a camera can be” in a more flexible and true-to-life manner.

A camera that keeps the heart of photography.
As a result, the SIGMA fp is the new form of camera that lets creativity get in.
Because SIGMA believes keeping the essence is the key to genuinely realize the idea of giving freedom back to you.

SIGMA fp L Concept Movie

A big canvas for big moments.

35 mm full-frame Back-illuminated Bayer sensor with approx.61 effective megapixels

Hybrid Autofocus | Contrast detection autofocus + Phase detection autofocus

Supports USB power supply

Impressions

The freedom the fp system provides me is the most precious of all things, and beyond.

fp L The freedom the fp system provides me is the most precious of all things, and beyond. Yang Su Tie Sigma fp L, Sigma 65mm F2 DG DN | ContemporaryISO 100, F4, 1/1600s, 65mm, Color Mode: Landscape The Sigma fp L perfectly balances compactness with

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fp L. A powerful but fun tool for such a compact size.

fp L A powerful but fun tool for such a compact size. Alexandre Souêtre 61 MPAn amazing resolution. With the already stunning image quality, as well as dynamic range the Sigma fp had to offer, I found myself getting even more with the fp L. The incr

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fp L. A camera that perfectly interprets "Less is more".

fp L A camera that perfectly interprets "Less is more". Colin Prior Sigma fp L, Sigma 28-70mm F2.8 DG DN | ContemporaryISO 100, F11, 1/5s, 28mm Throughout my career as a photographer, one of the issues I've struggled with has been my weight - not my

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fp L― Creates WOW image quality large-format prints for photo exhibitions and beyond.

fp L Creates WOW image quality large-format prints for photo exhibitions and beyond. Yuji Hamada For each of my works, I select the best-suited camera from a range of analog and digital cameras. Sometimes I decide not to use a camera at all if I feel

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Supplied Accessories

Separately Sold Accessories